Skip to main content

A Tucson Typewriter Tale

One of the great joys of wandering without much of a plan is that the universe occasionally rewards your lack of organization.

During my recent visit to Tucson, AZ, Robert and I were strolling through the Annex this afternoon, doing what tourists and newly minted retirees like me have elevated to an Olympic sport: meandering.

The Annex is one of those places where every few steps there's another handmade candle, artisan coffee, or vintage object someone rescued from a garage sale and convinced the rest of us was always destined to become art.

Then I saw something that genuinely stopped me.

A young woman standing quietly behind a manual typewriter.

Not a laptop designed to look like a typewriter. Not a quirky Bluetooth keyboard. An honest-to-goodness mechanical typewriter—the sort of machine that once announced every sentence to the entire office with a satisfying clack and enough force to wake nearby pigeons.


With an iPhone 16 sitting in my pocket in an age when people write novels with their thumbs while standing in line for tacos, this felt delightfully rebellious.


Curiosity got the better of me.


"What do you use the typewriter for?" I asked.


She smiled the smile of someone who's answered this question a hundred times before.


"Give me a word," she said. "Any word, or a phrase. I'll write a poem just for you.”


Now that's not an offer one gets every day.


Without giving it much thought, I answered with the first word that came to mind.


“Serendipity."


It seemed appropriate. After all, this blog is called On the Fly, and stumbling upon a sidewalk poet armed with 80-year-old technology felt as serendipitous as life gets.


She rolled in a fresh sheet of paper and began.


There was no Googling for inspiration. No AI. No delete key. No carefully curated playlist designed to maximize creativity. Just the steady percussion of metal keys striking paper, each sentence arriving with enough confidence that it seemed no one intended to take it back.


For a few minutes, the Annex disappeared. People wandered past, conversations drifted by, coffee steamed, and the little typewriter kept tapping out something entirely original.


A few minutes later she handed me this.


serendipity

just like that, at the right place, right time,

the stars align, and the pieces fall into place

with the grace of god or god knows what.


without effort, without strain,

without wax nor wane,

we meet in the middle

somewhere between fate and destiny.


a last minute decision that has you

turning left when you had planned

to turn right led you right smack

in the face of what you'd otherwise

never seen.

there are some insights we can't glean

a glimmer of sense in but trust all the same.


without effort, without strain,

without wax nor wane,

we meet in the middle

somewhere between

where I end and you begin.


if you're looking for it,

serendipity will evade

your searching steps

and avoided your grasping

breath, teasing


it's best to blindly march on.


— britt warner


The more I read Britt's poem, the more I think she captures serendipity's paradox: you can't schedule it.


No one ever writes in their planner, 5:30 p.m. — Unexpected Moment of Wonder.


It simply arrives while you're on your way to something else.

One line especially stayed with me:


"Turning left when you had planned to turn right…"


That's exactly what happened to us.


If we'd taken a different path through the Annex, we'd have missed the conversation, the poem, and the reminder that meaningful encounters rarely send calendar invitations.


I also love how Britt repeats the refrain, "without effort, without strain…”


The first time, it points toward the vastness of fate and destiny. The second time, it narrows beautifully to "where I end, and you begin.”


 It's a lovely shift—from the cosmic to the deeply personal—and perhaps that's where serendipity truly lives: in those fleeting moments when complete strangers briefly intersect and leave each other a little richer.


Thank you, Britt Warner, for an unexpected gift on an ordinary Tucson afternoon.


If you find yourself wandering through the Annex and happen to hear the unmistakable clatter of typewriter keys, don't keep walking. Stop. Say hello. Give her a word.


You never know what might come back.


As for me, it's a gentle reminder that life remains full of places to go.


I’m Patrick Ball. Stay curious, ask questions. See you next time.

Comments

Most Popular of All Time

Resurrecting the '90s Graphite

Let’s face it, there’s a certain danger in reading John Gierach's Trout Bum . His wit, self-deprecation, and sharp, effortless satire are entirely infectious. If you aren't careful, his words will inspire you to drop everything, wade into a freezing river, and try to outsmart a creature with a brain the size of a lentil. In my case, re-reading Gierach recently didn't send me straight to the river. It sent me digging through the dusty, spider-guarded corners of my garage. In the early 1990s, seeking a natural escape from Manhattan's concrete canyons, I decided to learn to cast a fly rod. I bought an Orvis Rocky Mountain —eight-and-a-half feet, three ounces, built for a five-weight line—and had absolutely no idea how to use it. To avoid aimlessly whipping the water like scrambling eggs, I took fly-fishing lessons from Al Cucci, co-author of Hatches , on the Delaware River. With his guidance, I fished renowned waters: the AuSable in New York and Michigan, and New Jersey...

From Mailbox to Microphone

In this episode, catching up with Sierra . What happens when you combine a little imagination, modern digital tools, and the willingness to make a glorious, muddy mess? You get our guest’s latest project. I’m Patrick Ball. Welcome back to On the Fly . Today, we are diving into the world of native plants and guerrilla gardening with twelve-year-old creator Sierra. After watching her impressive, self-produced tutorial on how to make ‘Seed Balls,’ I had to know how she did it. It’s incredibly inspiring to watch Sierra evolve from a young artist wielding crayons and stationery into a savvy digital creator. She’s writing scripts, mastering voiceovers, and editing—all to make a positive, green impact on her local community. “She shoots, she scores, and she’s here to tell us all about it.” Please welcome Sierra to On the Fly ! Let’s get into it. Audio interview . . . For more blog posts showcasing Sierra’s talents, see: The Mailbox Surprise . . . and The Summer Surprise I’m Patrick Ball. Sta...

The AI Debate Was Settled in 1954

In this episode, what a 70-year-old sci-fi mystery teaches us. Welcome back to On the Fly. I’ve been looking for a clear way to explain how we should be handling Artificial Intelligence today. I finally found the answer hidden in a book I just finished. The twist? It was written more than seventy years ago. Isaac Asimov's The Caves of Steel was published in 1954, when a computer filled an entire room, consumed enough electricity to dim the neighborhood, and had roughly the computing power of today's microwave. Yet Asimov set his story nearly 3,000 years in the future—a world where humanity lives in sprawling enclosed cities (New York) and depends on advanced technology for nearly every aspect of daily life. The remarkable part isn't how much of the technology he imagined. It's how accurately he predicted us. In Asimov's future, society struggles with the introduction of highly sophisticated humanoid robots powered by "positronic brains." Naturally, a lou...

A B+ Kind of Life

Welcome back to this week's On the Fly . Retirement has taught me something unexpected: life gets a lot more enjoyable when you stop chasing perfection. Lately, I've been having an absolute blast playing executive par-3 courses like Rancho Carlsbad . A short iron, a sunny morning, and nowhere to be except the next tee—that's my kind of day. This Thursday, though, I'm raising the stakes. I'm heading to The Links at Lakehouse in San Marcos, a full-size par-71 course with enough water hazards to keep the local fish well-stocked with my golf balls. After shooting a 64 on a par-3 course, I've set myself a new goal: shoot an 89 before my birthday next August. Why 89? Because on a par-71 course, that's bogey golf—one extra stroke per hole. For non-golfers, think of it this way: par is like earning 100% on a final exam. Bogey golf is a solid B+. You got the job done, learned something, and probably had a lot more fun getting there. The older I get, the more I appre...