What is On the Fly?

People often ask me, “So . . . what is On the Fly really about?”

At its heart, On the Fly is about noticing—the small, easily overlooked moments that quietly shape our lives.

Mission Statement:
On the Fly is dedicated to the art of seeing. Through personal stories, family heritage, travel, music, and creativity, we explore the extraordinary beauty hidden in ordinary days. It’s a reminder that life's most meaningful moments are rarely planned—they’re discovered on the fly.

Rather than fitting neatly into a single category, this blog lives at the intersections of a few enduring themes:

Mindfulness & The Pause

Many posts—such as the Friday Morning Pause or reflections on the Aversion Trap—invite readers to slow down, step away from digital noise, and rediscover silence, wonder, or awe.

Storytelling & Heritage
This blog often returns to family stories and personal history, exploring how memory, place, and the people who came before us shape our sense of home.
Creativity & Music
From the magic of a guitar shop to the discipline of great musicians, On the Fly celebrates the creative process and the quiet joy of making something meaningful.
Travel & Observation
Whether strolling the streets of Paris or cycling the back roads and trails of San Diego County, travel becomes a lens for observing patience, connection, and how technology both connects and complicates human experience.

In short, On the Fly is for the curious and the reflective—for readers who want to look up from their screens, slow down, and rediscover the extraordinary hiding in ordinary moments.

Join me–explore the search feature and discover over 540+ previous episodes.

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The Gopher Problem and the High Powered Solution

Vacationing in Maine this week, just a short drive down the coast from Freeport, it is hard not to think about the outsized impact one frustrated outdoorsman had on the gear we all use today. Bad equipment can ruin a perfectly good day on the water or the trail, but it takes a special kind of vision to turn cold feet into a century-old empire. This is the story of the company we now know as L.L.Bean, but more importantly, it is a masterclass in integrity, learning from failure, and standing behind your work. In 1912, Leon Leonwood Bean faced a persistent problem: returning from expeditions in the Maine woods with cold, wet feet. Instead of complaining, he got creative. He had a local shoemaker stitch waterproof rubber soles onto the flexible leather uppers of a hunting boot. He called it the Maine Hunting Shoe and mailed a flyer promising perfect satisfaction. Then reality arrived. Ninety of his first 100 pairs failed when the rubber separated from the leather. Not an effective product...

On Becoming Real

Some things get better with wear: old shoes, old friendships, and old books. Especially old books. A new volume arrives with crisp corners and a spine that hasn’t yet learned to bend. An old one has been somewhere. It has traveled through time in the hands of people who may no longer be around to tell us what they found inside. The copy of The Velveteen Rabbit (first published in 1922) on my desk is one of those books. My friend Don Hanley gave it to me. This late-1950s Doubleday edition features William Nicholson’s original illustrations and cream paper boards softened by age. Worn corners, a split spine, and colored tabs mark passages worth revisiting. Don didn’t hand me a keepsake. He gave me homework. When we talked about the book recently, he pointed me straight to the nursery conversation between a young rabbit and an old Skin Horse. The rabbit had noticed the mechanical toys around him—the ones with internal gears, bright paint, and stick-out handles that seem terribly impressiv...

A Dog, a Beer . . . and the Ghost of 1912

Whenever you step into an American cathedral of our National Pastime built before modern ergonomics, municipal zoning, or crowd-flow dynamics, an unspoken understanding forms, creating a welcoming, timeless atmosphere. You trade legroom, sensible corridors, and personal space for the privilege of communing with ghosts. Last week, Lori and I made our pilgrimage to Fenway Park to watch our Chicago Cubs take on the Boston Red Sox (a taut 0–2 contest that felt spiritually tied to their 1918 World Series meeting). Staying just across the Charles River at the Courtyard Marriott in Cambridge gave us one immeasurable tactical advantage: we walked. While the automotive gridlock around Kenmore Square took on the character of the Siege of Yorktown—horns echoing across the asphalt like musket fire—we simply strolled across the Boston University Bridge, enjoying the river breeze and feeling smugly superior to everyone trapped behind a steering wheel. Fenway, built in the spring of 1912, holds rough...

Paris – the End of Silence

✈️ In this special episode: Paris – the End of Silence Sometimes, connection arrives in the most unexpected form—not through grand gestures, but through a quiet voice carried by technology. In a Paris apartment, I finally understood my family’s words . . . and felt my mother’s presence in every sentence. Since I was a little boy, France has been both a beautiful and frustrating paradox in my life. Every six to nine years, my mother, Mauricette, would take my brothers and me back to La Rochelle to visit our French family. The moment we arrived, the air would fill with a sound I loved but couldn’t share in—the rapid-fire, musical rhythm of French. My aunts, uncles, and cousins would warmly sweep me into hugs and kisses, their words flowing like a lovely melody I couldn’t quite catch. I’d smile brightly, trying to communicate with my eyes and hands. But as soon as we stepped off the plane, my mother and her sister-in-law, Joséan, started talking animatedly. They were gone, chatting h...

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