Skip to main content

RCA Studio B - Nashville

In this episode – RCA Studio B, Nashville . . .

You've never been to Nashville; what sights would you want to see? Is it the "Broadway Honkytonk Scene" where live bands "blast" their music non-stop from 9:30 am until 3:00 am every day!

Maybe it's The Grand Ole' Opry?

Or how about the Earnest Tubb Record Shop serving downtown Nashville since 1947 - hosting The Ernest Tubb Midnight Jamboree, the second longest-running radio show in history. Broadcast on WSM 650 with a live audience every Saturday at 10:00 pm.

For me, it was Historic RCA Studio B.

Constructed in 1957, RCA Studio B became known as the birthplace of the "Nashville Sound." A melodic style characterized by background vocals and strings helped establish Nashville as an international recording center from 1957 – 1977 – Music City USA.

On December 3rd, 1957, country singer Don Gibson stood before a microphone in a newly built Nashville studio at 17th Ave. South and Hawkins St, leased to RCA records by local businessman Don Maddox.

Poised to record his original song "Oh Lonesome Me," Gibson was backed by drummer Troy Hatcher, vocal quartet The Jordanaires, bassist Joe Zinkin, rhythm guitarist Velma Smith, and guitar ace Chet Atkins who played electric lead and produced the session.

Adkins later explained, "I just wanted to make "Oh Lonesome Me," kind of like Don's demo, toward that end; he said, "we miked the bass drum."

Up until that time, people just recorded the drums with one microphone. On cue, Velma Smith kicked off the performance by playing "a special beat," as Atkins had advised, with syncopated basslines quickly building the excitement.

Atkins spiced the recording with strategic "chunks" then sailed into a spirited rock-tinged lead. The Jordanaires harmonized background chords and punctuated the arrangement with clipped fills (bah-dee-yah-bop-bop). "It was so fresh and so exciting," Atkins reflected in 1989. "We hit the bullseye at that time." It was just the kind of recording that satisfied country fans while reaching beyond the genre's core audience.

As "Oh Lonesome Me" proved, Atkin's country-pop approach worked well. In February 1958, the record began its 34-week chart run to #7, where it remained for a whopping eight weeks on Billboard magazine's country/pop charts.

Recorded during the same session and issued as the flip side of "Oh Lonesome Me," Gibsons "I Can't Stop Loving You," another original, also became a #7 country hit.

His double-sided smash confirmed Gibson's status as a star while boosting producer Atkin's confidence. This propelled the new studio to instant national visibility.

The studio's opening marked a milestone in Nashville's development as a music center. Based in New York, RCA already maintained studios there; in Chicago, Hollywood, and Camden, New Jersey. Studio B strengthened the label's commitment to Nashville's emerging music industry.

Nashville's Bradley family had previously established a studio in 1955 at 804 16th Ave South. The new RCA recording room became the second major enterprise in the neighborhood, later called "Music Row."

Over the next 20 years, RCA studio B hosted over 18,000 recording sessions. Both RCA studio and Bradley's operation became workshops for hits that embodied the country-pop Nashville sound.

This new style increased country records sales and fueled the dramatic expansion of full-time country radio stations from 81 in 1961 to more than 600 in 1972.

Both studios earned international fame for producing musically diverse hits that became firmly grounded in American popular culture. In doing so, the studios helped to secure Nashville's international reputation as Music City, USA.

Today Historic RCA Studio B-once, the recording home of famous artists such as Elvis Presley, Chet Atkins, Roy Orbison, Eddy Arnold, Dolly Parton, Charlie Pride, Willie Nelson, and the Everly Brothers, is a classroom for Nashville area students and a popular tourist attraction.

In 2002 the Mike Curb Family Foundation purchased the studio and leased it to the non-profit Country Music Hall of Fame® and Museum.

The studio's exterior was renovated, and the interior returned to its 1970s-era as an analog "temple of sound."

So, won't you be my virtual neighbor? If you enjoy our weekly visits, please share them with a friend.

I'm Patrick Ball; thanks for listening. See you in the next episode.

Comments

Most Popular of All Time

Mom Was Right

In this episode: Mom Was Right (Again!) . . . Remember that old saying, "Mom knows best?" Well, this week, it resonated profoundly. I vividly recall my mother's steadfast remedy for the common cold, which was ingrained in my 1960s childhood: "Rest in bed, drink plenty of fluids, and take aspirin to reduce pain and fever." . . . Or now that I think about it, this may have been a Bayer aspirin commercial–Simple . . . Fast-forward to the age of AI and endless medical information at our fingertips, and guess what? Not much has changed. Yet, somehow, this week, Lori and I were blindsided by a cold—the first in over five years. My incredulous "How could this be?" quickly morphed into a dawning realization. Our company's annual meeting, a melting pot of colleagues from Illinois, Texas, Vietnam, Colorado, Northern California, and the Central Valley, was a veritable petri dish of germs. And, oh, the germs found me! Getting sick, especially after a long str...

Whispers of Spring

In this episode, Whispers of Spring . . . Spring has a way of sneaking in when you’re not looking. One day, you’re shaking off the last chill of winter, and the next, you realize the light has shifted, stretching shadows just a little longer. It didn’t make a big fuss about it—no dramatic entrance, no trumpets—just a quiet unfolding, like an old dog settling into a sunny spot on the porch. Last week, Daylight Saving Time kicked in, which meant we all fumbled with our clocks, grumbled a bit, and then, like frogs taken aback by a warm rain, leapt forward into longer evenings. The sun now lingers, in no rush to set, hanging in the sky like a tossed coin that refuses to fall. With the extra daylight, we find ourselves drawn outside once again, migrating to the back patio like folks are drawn to a warm campfire. The lawn chairs are right where we left them, waiting like old friends. The air hums with wind chimes, their tuned cylinders catching the breeze and weaving together something that...

Special April Fools' Edition: Did You Fall For It?

In this episode: Special April Fools' Edition: Did You Fall For It? (And a Little Baseball Nonsense) Welcome, fellow baseball aficionados and purveyors of the peculiar, to a very special, dare we say unpredictable, issue of On the Fly! Today, the air is thick with . . . well, probably just regular air, but a specific mischievous something is buzzing around. Can you feel it? Does that tingling sensation make you double-check your shoelaces and suspiciously eye any unusual packages? Yes, dear readers, it’s April 1st! A day steeped in mystery, shrouded in playful deception, and frankly, a day where you shouldn't believe anything you read (except maybe this . . .maybe). But before we descend into a whirlwind of whimsical falsehoods (don’t worry, we’ll mostly keep it light!), let’s take a quick, slightly wobbly, historical flight through the origins of this most unreliable of holidays. Whispers from the annals suggest a few intriguing possibilities for why we dedicate this particula...

At 92–Don's Digital Daydream

Listen to the audio here. In a world of his own–lives, ole' Doctor Don, Not one world, but three, 'til the setting of the sun! There’s his Blog-World , so bright, with words all a-whirl, And Book-World , with stories of boy and girl! Then, Day-World , where legs didn't leap, didn't run, Just shuffled and creaked 'til each day is done. But his brain, oh, his mind, it’s zippy and keen, A most curious fellow that ever was seen! At ninety and two, with a twinkle so bright, He met Chatty and said, "What a strange delight!" This box with the answers, so quick and so bold, Of theology and stories, new truths to unfold!" "Integrity, relationships, where do they fit? This thing makes me wonder, bit by bit!" He ponders and pokes with laughter and a grin, "Til POOF! he has gone to a world from within! A world made of words, a fantastical place, Where limits of the body, left not a trace! He Soares, and he zooms, with a thought and a rhyme, Trans...